WE'LL COME TO YOU.

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Keep the beautiful pen busy.


Brooklyn, NY
USA

Handwritten is a place and space for pen and paper. We showcase things in handwriting, but also on handwriting. And so, you'll see dated letters and distant postcards alongside recent studies and typed stories. 

HW Blog

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The Script Inside a Manuscript • Tomas Cohen

Bretty Rawson

With best wishes from a Chilean poet in Berlin,
Tomas | www.tomascohen.com

Love in Vietnamese, Punjabi, Mandarin, English, Spanish & Backwards Cursive

Bretty Rawson

HANDCOLLECTED BY CARLY BUTLER

At work today, Handwritten curator Carly Butler shares International Handwriting Day with colleagues and customers. So far, they have collected handwriting in Vietnamese, Punjabi, Mandarin, English, Spanish, and to top it off, backwards cursive. That's right, backwards cursive. #bicdrop

I am Certainly in a State Where I am Content • Minakshi Choudhary

Bretty Rawson

HANDWRITTEN BY MINAKSHI CHOUDHARY

Lenore Tawney postcard to Maryette Charlton (1969) • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Lenore Tawney postcard to Maryette Charlton, February 16, 1969. Maryette Charlton papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Maxfield Parrish letter to Cecilia Beaux, July 11, 1909 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Maxfield Parrish letter to Cecilia Beaux, July 11, 1909. Cecilia Beaux papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Eero Saarinen letter to Aline Saarinen, 1953 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Eero Saarinen letter to Aline Saarinen, 1953. Aline and Eero Saarinen papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Winslow Homer letter to Thomas B. Clarke, January 4, 1901 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Winslow Homer letter to Thomas B. (Thomas Benedict) Clarke, January 4, 1901. Winslow Homer collection. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Take The First Steps Into The Dark Dawn • Royster

Bretty Rawson

BY ROYSTER

In 2009, I couldn't read my own longhand notes.  I read a bit about handwriting, then adopted an italic script from Write Now! by Getty & Dubay.  Much more legible, and if I put my mind and hand to it a little more than I do here, I get compliments!  Best of all, I got a letter from Mrs. Getty where she includes some calligraphic scribbles.  

“Do not wait until the conditions are perfect to begin. Beginning makes the conditions perfect.” Alan Cohen