Pen to Panel • An Evening of Archives, Conversation, and Lagers
This Saturday is our culminating event, Pen to Panel, with the Smithsonian's Archives of American Art. We'll be joined by five wildly creative minds for an hour of conversation about the past, present, and future of handwriting. We are thrilled to be hosting the event at The Sketchbook Project's newly-renovated home, which houses thousands of sketchbooks from around the globe. Below are the brief bios of our panelists, as well as a few links so that you can get a little lost, and find much more. But if you're in town, come see and hear from them in person. Did we mention the beer is on us?
The power in the pen is people, which is why we hosted Pen to Panel. It was our third of three events with The Smithsonian's Archives of American Art. Curator of Manuscripts Mary Savig doesn't believe handwriting is a dying art, and we agree, which is how we bonded, and it is which is why we have bonded, and for two months, banded together to help celebrate the launch of their latest anthology, Pen to Paper. We were thrilled to host this culminating event at The Sketchbook Project's newly-renovated home, which is the permanent home of the Brooklyn Art Library and houses thousands of sketchbooks from around the globe. We're in the midst of creating a short film from the event, as we recorded the conversation, but in the meantime, we hope you'll enjoy some of the images from the night, as well as info on the five wild minds that joined us to talk shop.
Info on our Five Panelists:
Mary Savig, Curator of Manuscripts, Smithsonian Archives of American Art
Mary Savig brings to the table years of experience in one of the largest archives today: The Smithsonian's Archives of American Art. We first bonded during a snowstorm. It happened to be National Handwriting Day, which is not only the best time to get snowed in, but the best time to write by hand. She doesn't believe that handwriting is a dying art, and we agree, which is why we bonded in the first place, but then banded together to create this collaboration and conversation. She talked about the issues archives face, how they keep the past present, and what steps The Smithsonian is taking to embrace the technologies of the future.
Luis Jaramillo, Author and Director of the MFA in Creative Writing at The New School
Luis Jaramillo is the author of The Doctor’s Wife, winner of the Dzanc Books Short Story Collection Contest, an Oprah Book of the Week, and one of NPR’s Best Books of 2012. Plot twist: he writes his drafts by hand. Luis talked about this particular experience, but also the role handwriting plays, in general, in the creative writing process. While this is one of the main reasons we were excited to have Luis on the panel, he also happens to be a part of Handwritten's origin story: the platform was first imagined during a course he co-taught called Writing & Publishing Lab at The New School's MFA Creative Writing Program, where he is currently the director.
Linda Shrewsbury, Creator of CrusiveLogic
We were thrilled to be joined by Founder of CursiveLogic Linda Shrewsbury. They have been one of our "Partners in the Pen" since the beginning. Whenever people say cursive writing is dead or dying, we say no it's not. And then we explain to them CursiveLogic: the patent-pending method for teaching cursive that has literally and figuratively reshaped the way students learn cursive in the classroom. Only two years in, CursiveLogic's future is bright, which is one of the things Linda talked about: the future, and reinvention, of cursive writing in the classroom. In addition to homeschooling her own three children, Linda has been privileged to work as a teacher and a college professor in both private and public institutions. Linda received her undergraduate degree from Harvard University and her Masters from Oklahoma State University.
Tullis Johnson, Author and Curator of Archives at Burchfield Penney Art Center
Tullis Johnson is the curator and manager of archives at the Burchfield Penney Art Center. He is what we would call a historical surgeon on Burchfield, but what others would call an emerging Burchfield Scholar. Tullis has organized multiple exhibitions of contemporary and historical significance, including the nationally touring exhibition, Charles Burchfield: Weather Event, which received the Award of Commendation at Museums in Conversation from the Museum Association of New York. You can see his exhibition Blistering Vision: Charles E. Burchfield’s Sublime American Landscapes, which is currently on view at the Burchfield Penney Art Center in Buffalo, NY. Using Burchfield as a portal, Tullis spoke about the necessity of zooming out when we look at the state of handwriting.
Barbara Bash, Calligrapher, Author, Illustrator, Performance Artist, and Teacher
Barbara Bash quintuples as a calligrapher, author, illustrator, performance artist and teacher of the creative process. Her love of the alphabet has taken her back to the study of their early origins in the nature: the writing of the world. She has written and illustrated a number of children’s book about trees, bats, urban birds and most recently, True Nature: An Illustrated Journal of Four Seasons in Solitude, which was completely handwritten except for the bar code. The embodied act of handwriting is one of her core practices for self connection. She is currently creating a book (working title, Leaping Letters) that explores why handwriting still matters. You can understand why we could not contain our wild happiness to have had Barbara on the panel.
Handwritten & Smithsonian @ The Sketchbook Project (9/10)
Pen to Panel
Handwritten & Smithsonian at The Sketchbook Project
September 10, 2016
We are over the moon to be partnering with the Smithsonian's Archives of American Art to celebrate the launch of Pen to Paper, an object of art published by Princeton Architectural Press, by hosting this culminating event, “Pen to Panel,” at none other than the world-renowned The Sketchbook Project. What better setting than a massive room lined with thousands of sketchbooks from humans around the world?
Join us on September 10th, from 6 – 8pm, for an evening of conversation, Brooklyn lagers, and archives. Curator of Manuscripts Mary Savig will be bringing letters from their archives to exhibit in the space, and around 7pm, we'll be quieting down to listen to five incredibly bright minds talk about the art and act of writing by hand today. On the panel will be Mary Savig, Linda Shrewsbury, Tullis Johnson, Luis Jaramillo, and Barbara Bash. You can see more information about our panelists and get a sneak-peek at Pen to Paper by visiting our online exhibition here: www.handwrittenwork.com/pentopanel.
The event is free, and so is the beer thanks to Pipe Dreams NYC! So come one, come many. We hope to see you at The Sketchbook Project for a few hours of wild words. Until then, keep the beautiful pen busy, and ink responsibly.
Curator of Manuscripts, Mary Savig, will be bringing some of the letters from Pen to Paper, which was published by PA Press (2016).
See our Facebook Event here, or enjoy the Handwritten Exhibition, What Stories Will Your Handwriting Tell?, which showcases letters from Pen to Paper, as well as exclusive interviews, essays, and reflections with Mary Savig and several of the contributors from the anthology.
Pints & Postage at Berg'n (8/17)
"I don't always write a letter, but when I do, I do it at a bar."
—Unknown
BY HANDWRITTEN
On Wednesday, August 17th, join Handwritten & Smithsonian's Archives of American Art for a free-ish evening of lagers & letters. For one hundred and twenty minutes, we'll be posting up at Berg'n, writing drafts, drinking draught beer, and sealing letters to distant lovers and friends.
There will be plenty of postage provided by Handwritten, ornate stationary provided by Princeton Architectural Press, and discounted beers thanks to Berg'n! Come early, drop by anytime, or linger longer. Details:
Wed, August 17 at 7 PM - 9 PM
Berg'n, 899 Bergen St,
Brooklyn, New York 11238
2/19 Conceptual Poetry Panel at Pen + Brush, Hosted by Sarah Madges
Conceptual Poetry: Practice, Production, & Reception
Friday, February 19 | 7:30-9:00pm
Pen + Brush gallery, 29 E 22nd St.
We at Handwritten like to look at creative production holistically—featuring a series of drafts and the overall creative process, rather than simply publishing the final work with no evidence of its becoming. In that sense, conceptual poetry is a kindred spirit, a literary movement that focuses more on the initial concept than the final product of the poem, and that often appropriates found materials to create new works.
Join us at Pen + Brush for a panel session devoted to conceptual poetry's special possibilities, and the ramifications of these possibilities. Sarah Madges, chief curator at Handwritten, has brought together five poets and scholars to discuss issues such as: what strategies or conceits constitute a conceptual gesture,the role of both author and reader when a text isn't quite "authored" or "readable" in the usual sense, conceptual approaches one might adapt to other genres or artforms as well as its hybrid and performative nature, the use of algorithms and coding in poetry production, and interrogating what we mean by the "conceptual" itself—looking especially at female writers of color for alternative understandings and definitions.
The roster includes: Sarah Madges (moderator), Evie Shockley, LB Thompson, Elizabeth Guthrie, LaTasha Diggs, Buffy Cain, and Holly Melgard. Moderated by Sarah Madges, with a Q&A to follow the presentations. Bios for our panelists to come very soon.
Did we mention there will be wine?